The Thirty Nine Steps () - The Thirty Nine Steps () - User Reviews - IMDb
Publication date. Media type, Print (hardback and paperback). Followed by , Greenmantle. The Thirty-Nine Steps is an adventure novel by the Scottish author John Buchan. .. The version was directed by Don Sharp and starred Robert Powell as Hannay, Karen Dotrice as Alex, John Mills as Colonel Scudder and. But Alfred Hitchcock's version of The Thirty-Nine Steps departs so much thriller — or the Robert Powell version, which restores Richard . on everything from civilizational collapse to our Saturday movie dates. This re-remake of The 39 Steps adheres more closely to the source novel by John Buchan than Alfred Hitchcock's better-known original, restoring the.
For Hitchcock, by contrast, adapting the book twenty years later, the "Top Secret" stuff was a mere pretext — "a lot of gibberish, which was supposed to be some kind of formula about something", as he put it.
In other words, The Thirty-Nine Steps is Hitch's first use of the MacGuffin — something for the character to worry about so that the audience can worry about him. Cary Grant asks, "What's this man up to?
So here, while Buchan goes to great lengths to concoct plausible reasons to get Hannay out of Portland Place and up to Scotland, Hitch can barely be bothered: In fairness, he and his adaptors spot a very small blemish in Buchan's plot, and their substitution improves it. Yet, in one respect, novelist and film maker aren't so very different.
Buchan's Thirty-Nine Steps is what we'd now call very filmic, not just because of the vividness of the images — Hannay, the fate of nations resting on his shoulders, running for his life across the moors, as a monoplane buzzes overhead and his pursuers fan out behind him — but also because of the book's episodic structure.
Alfred Hitchcock's The Thirty-Nine Steps
He ducks out again, and through another door. A woman and two men show up, and take him in a car to the police station.
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But they're not police, they're spies Hitchcock is endlessly resourceful in coming up with these set-pieces, even in the middle of nowhere: Britcom fans should watch for a young John Laurie the dour "doooooomed" Private Frazer of "Dad's Army as the jealous crofter anxious to keep Hannay away from his wee wifey.
It's a terrific performance and an extraordinarily detailed character for just one peripheral scene.
But holding the film together are its principals, Robert Donat as Hannay, Madeleine Carroll as 'the girl'. They make a glamorous, sophisticated couple, unusually so given that Donat was born in Manchester and Miss Carroll in West Bromwich. Indeed, the latter has the distinction of being Hitchcock's very first icy-cool blonde. Donat is practically forgotten now: But he had a gift that very few actors have, a way of drawing you in almost unobtrusively: Hitchcock in Hollywood tried to find others in the Donat mould — Robert Cummings — but never quite succeeded.
From the opening scene in Portland Place, his Hannay sets the cinematic standard. And, for sheer erotic crackle, the half of the picture where Donat and the implacably hostile Miss Carroll are handcuffed together is hard to beat. The scene where they're lying on the bed has a particular sexual charge: We hope you'll join us. If you disagree with Steyn's movie columns and you're a member of The Mark Steyn Clubthen feel free to hunt him down like RIchard Hannay in the comments.
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The Thirty-Nine Steps - Wikipedia
People can say, 'You're not being true to the ending,' as they stay away by the millions And we figured that the centre of European politics would undoubtedly have been the House of Commons.
So we thought, 'Why not finish the film in the political seat of Britain? The old films suffer technically against today's. The pace of modern films is much faster.
Alfred Hitchcock's The Thirty-Nine Steps :: SteynOnline
The style of acting is different. Those old actors were marvelous, but if you consult the man in the street, he's more interested in seeing a current artist than someone who's been dead for years. Powell recalls that although in a controlled environment, he was still hanging at a significant height above the studio floor.
The privately owned Severn Valley Railway loaned the film a steam engine, together with rolling stock and a section of track, for shooting. Christopher Headington was the soloist, with the Rank Studio Orchestra conducted by the composer. It has not yet reappeared on CD.