Adrift in Manhattan () - Adrift in Manhattan () - User Reviews - IMDb
Main · Videos; Victor rasuk and heather graham dating. Metric housekeepers sensitize winding is better because nazism because they sensitize bap is better. Killing Me Softly (Unrated Edition) by Heather Graham DVD $ a beautiful and mysterious doctor (Heather Graham), a young photographer (Victor Rasuk) who Restricted; Studio: Screen Media; DVD Release Date: January 22, Adrift in Manhattan is a film directed by Alfredo De Villa and written by Nat Moss based on a story by De Villa. The film features an ensemble cast, including Heather Graham, Victor Rasuk Release date. January 10, ().
Spoilers If I were to boil this movie down into one sentence: Simon, a severely socially-maladapted year-old living in an apartment with his mentally ill mother who uses him for her emotional gratification. Tommaso, an elderly mail clerk who has lived alone his whole life so as not to have to share his time or attention with others, and who learns at the outset that he's going blind. Rose Phipps, a young professional who, when we see her, we sense a mute sadness. Mark Phipps, her estranged husband, who has only two notes - anger and frustration.
And Isabel, a family matriarch in Tommaso's office who lives vicariously through her grandchildren. With the exception of Rose, who is the emotional center of this movie, these really aren't people I'd want to spend much time with. Rose, an optometrist, gives the diagnosis to Tommaso, and suggests that he tell his family and his friends of his condition so as to help his transition into long-term disability. She later becomes a de-facto therapist for him as he works through his denial and anger over the predicament, and later, as he tentatively pursues a romance with Isabel, in his office.
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Isabel, for her part, develops an attachment to him but it really seems unmotivated; there's no real chemistry between them and their interaction up until the time he asks her on a date is full of un-charming awkwardness. Nor does he doesn't do much to endear himself to her or her family as the romance, such as it is, progresses. He just seems like a grumpy old man who can only talk about himself.
I could understand her motivation if it were mere sympathy, but the script wanted it to be more, and it just wasn't earned. Simon works in a camera shop and as such has access to long-range lenses; since he doesn't have any social outlets, skills, or interests, he already lives rather voyeuristically, so walking around photographing strangers comes quite naturally to him.
But he has a problem: OK that might not be a problem in itself, but what he decides to do as a result seems questionable. He follows them to their residences. He sits in the dark across from their building and lurks, and shoots photos through open windows.
Adrift in Manhattan () - IMDb
He follows them when they go with their ex-spouses to public events and sits nearby watching them. These scenes are interspersed with scenes of his home life with his crackpot mother, in which there's an unhealthy lack of intimacy boundaries, and this is all meant to show him as pathetic and helpless, but I wasn't buying it. I decided to explore love instead.
Never bigger than them. It was a challenge to ourselves to see if we could pull it off. Without sounding pretentious, we wanted to make a tone piece where the challenge was to take plot and put it in the backseat, and make a movie about believable characters and their needs, and make those needs the top priority. Then all of the story, all the drama, all the movement would come out of that. What they need is who they are.
Victor Rasuk Filmography | QuickLook Films
My agent also helped a lot. The first thing we did is we got a cast interested and attached. From there, like I said above, my producer Steve Brown got involved and magically raised the money. I say 'magically' because I honestly still don't know how he did it.
He just did and we were shooting. What Heather's and Victor's characters did was a lot darker, as well—more than just the spanking, if you will! I don't necessarily mean writing for big-name actors or stars, but writing for actors I have worked in the past with or that I have seen in films and plays.
For the rest of the roles, I was extremely open. My agent set me up with several meetings with very good actresses for the role that Heather Graham eventually did. One of them was Heather.Junot Diaz's short story "Alma," read by Victor Rasuk - The New Yorker's Sketchbook