Age Difference And How To Write It, Or Not - The Fandomentals
He might be younger, but thank the old gods and the new that Game of Thrones' Margaery Tyrell didn't have to bed Tommen Baratheon's older brother Joffrey. Ask Me Anythings (AMAs) · TWOW Release Date Betting Pool For example, Joffrey is stated to be twelve at the start of the first book Character Name, Book Age, TV Show Age, Age Difference Margaery Tyrell, 14, 18, 4. Age difference in relationships is a bit of a taboo, even in the fictional . Margaery Tyrell in Game of Thrones, especially, would be a good fit for.
Age Difference And How To Write It, Or Not
I t can seem like a thin line. I just demanded that the age differences show, after all. Now I protest when a character acts like they are older? But there is a difference. On one hand, there are characters knowing what they are doing, being more comfortable in their sexuality and so on.
It has them being condescending a lot of the time. The entire relationship becomes one big pat on the head. Actually, that is often a department where the authors are more careful. They will act as if the younger person is incapable of making their own choices. Because they are underage, you see? But somehow, making the choice to sleep with them was OK.
They were old enough for that, but not old enough to have control of their own life, really. Only sort of inverted. People who write daddy kink are usually self-aware enough that they keep it to the bedroom.
They take care to have their characters behave like equals out of it. The authors of this kind of problematic thing, on the other hand, do the exact opposite. It simply combines into an especially deadly cocktail.
But then, I see plenty of this in slash fiction as well, though perhaps not so extreme, so clearly, the gender dimension is not necessary. It just adds flavour. Edward condescends to Bella, tries to control her life, acts as if she is incapable of handling herself in basic situations…the whole nine yards.
Here, have a citation: He was gripping a fistful of my jacket in one hand. It was all I could do to keep from falling backward. I staggered along sideways across the wet sidewalk until we reached the Volvo. I was mentally calculating my chances of reaching the truck before he could catch me. If Bella was a toddler, perhaps it would be appropriate.
Margaery Tyrell in Game of Thrones, especially, would be a good fit for this one as well. Her relationship with Tommen is clearly romanticized there, at least to a degree. And yet what she does to him… This point goes to all the characters who use their better understanding of any situation to direct the relationship. Only then you realize they arranged everything in the relationship according to their own preferences. The younger one in the couple just goes along with it because they are too inexperienced to notice what is happening.
Also, particularly in supernatural settings, this often goes hand in hand with withholding information. That is a manipulatory tactic par excellence, and non-human romantic interests often employ it.
They know so much more about this strange world the human has just encountered, of course it should be them making all the decisions! Instead of, you know, maybe telling their partner everything relevant and then deciding together. Because that would be boring, right?
Now, this needs a disclaimer, so please let me first state unequivocally: But talking about fiction… We all know that the legal age of consent is a construct created because you have to put the line somewhere.
So thinking that simply waiting until one of the characters is legal solves all of the problems inherent in underage relationships is an illusion. If both characters talk about it and decide they very much want to avoid prison, and so waiting seems like a good idea, good for them.
If, that is, the dynamic is explored in the other areas of the relationship. Then by all means have them wait. Even though the younger one claims they are more than ready. It sounds reasonable, but it is actually problematic. Now, Ginny insists that she is ready to have sex.
If she does, she is fulfilling nr. If Ginny tells Tonks she is ready to have sex, Tonks can do a few things. Then Ginny will perhaps admit that she is not so sure after all, and they will discuss why she felt compelled to say so.
In a real life relationship, such a situation should be addressed. That means it should be addressed in fiction as well. But then, an adult has absolutely no business being in a relationship with an actual child, so anything beyond that is irrelevant, really. Establish your Younger Character is Capable of their own Choices This, for me, is the basic condition. At least in the sense that there are very big differences between people who are the same age on paper, as every teacher will tell you.
They can even have a childish moment here and there, since many adults do. But knowing what they want in the relationship, not being afraid to stand up to their partner, understanding consequences, all of these are things that indicate they would probably be able to hold their own in a relationship with someone older. More so, in fact, than many actual adults in the story.
'Game Of Thrones': King Tommen Spills On His 'Disturbing' Love Scene With Margaery - MTV
Arrangements are made to wed Margaery to Joffrey's younger brother Tommen, to whom Margaery swiftly ingratiates herself. Cersei and Margaery continue their bitter rivalry; Cersei resents being displaced as Queen and being forced to marry her very young child to the much older Margaery, while Margaery tries to outmaneuver her. She taunts Cersei over her triumph, and begins to try to convince Tommen to send Cersei away from the capital.
Cersei, in a shortsighted attempt to get rid of her rival, consents for the Faith of the Seven to once again bear arms. Cersei intends for the increasingly fervent religious order to seize Loras and charge him for homosexual behavior, and to trick Margaery into perjuring herself by denying, under oath, knowledge of his proclivities.
Margaery Tyrell - Wikipedia
Margaery finds herself arrested and awaiting trial, although Cersei is arrested as well on unrelated charges. Season 6[ edit ] After a period of captivity, Margaery is permitted to visit Loras in his cell. She discovers that he is beginning to break under the Faith's questioning, and that the meeting is a ploy to break her too. Jaime Lannister leads the Tyrell army on the Sept of Baelor to secure Margaery's release, but it is revealed that she has been absolved by convincing Tommen to forge an alliance between the Faith and the Crown.
Margaery later convinces Olenna to return to Highgarden, subtly indicating that she is still loyal to House Tyrell. Margaery persuades the High Sparrow, the leader of the Faith, to release Loras if he surrenders his claim as heir of House Tyrell and joins the Faith. However, when Cersei fails to arrive for her trial Margaery deduces Cersei is plotting something and tries to convince the High Sparrow to evacuate the Sept of Baelor, but the High Sparrow refuses and has the Faith Militant bar the exits.
Moments later, wildfire that had been ignited beneath the Sept on Cersei's orders explodes, and Margaery is killed in the explosion, along with all others present. Her death, and those of her brother and father, lead Olenna to accept a proposal by the Sand Snakes who currently lead the Reach's ancient rival, Dorne in supporting Daenerys Targaryen 's invasion of Westeros.
She states that; "In the books, I felt [Margaery] was just pushed to the background. A pawn," and "Margaery's cunning was hinted at in the books, especially in her lunch with Lady Olenna and Sansa. Collins writing for Rolling Stone feels that author Martin has been vague about Margaery's ambition and political cunning and describes her as a; "mute mystery whose motives and level of involvement in the game of thrones are unknown [by A Clash of Kings]"  However other writers feel Margaery's political ambition is more obvious.
Madeline of Feministing writes; "Margaery is an ambitious politico as well as being a damn good actress — she plays the part of the tragic, virginal twice-widow so well that almost no one suspects that she is dead set on winning the throne. Despite frequently being used as a bartering chip, Margaery uses her womanhood to her advantage, knowing that producing an heir will shoot her to power.
David Sims writing for The A. Club enjoyed the introduction of Margaery's character in " What Is Dead May Never Die " commenting; "the fun twist to this plot is that Margaery Tyrell is obviously not the blushing maiden she appears to be, but an operator just like everyone else," and "Margaery could just be a cypher, a mostly silent cog in Renly 's plans for dominance, but instead she's going to be a lot more.
Rhiannon of feministfiction writes: Graceful, elegant, and aware of how powerful every word can be.